Ismet Belorussziabol hoztunk a kivancsi fuleknek egy CD-t, de immaron masik eloadotol, meghozza Nadin Katrintol. Hetszamos megjelenese, az elso nalunk, es nem az utolso. Tancolhato, kellemes elektros-eszides, torzitos-letisztulos, 4/4-es breakes ritmusok tokeletes egymashoz illesztese az album. Az elso szam (Fray) egy kis elektros, lecsoba belecsapos, in medias res kezdes. Bemutatkozo dalnak tokeletes, tancparkettbarat, elektros megmozdulaskent elkonyvelheto, track. A dallam fulbemaszoan egyszeru, a basszusok eszides elektrossaga meg mindig nagy remenyeket ebreszt bennem, hogy az acid nem halt meg (I Love Acid). A kovetkezo track (Stability) trances kezdese, egybol egy szkreccsel inditott bigbeat tempot rak alank, ami eszrevehetetlenul megy at a meg mindig acides basszus kisereteben egy tokeletes breakbe, mikozben a szinti felemel, kicsit lejjebb hoz, aztan megint fel, majd vegul elereszt, szabadesesi palyara allitva minket. A Poles sem szakit az aciddel (immmmmadom), tribalos sok sok magassal megaldott drumline-ja egy kulonleges savba martott utazasra invital minket, hogy a hatterben uszo padok korbeoleljenek es ne hagyjak a valo vilagot bearamlani. A negyedik zene (Jelly) igazi elektronikus rocknroll, osszevissza vagdalt bigbeates dobbal, laza gitarral, egy igazi bologatos tema. Az otodik (Jog) egy igazan utos elektro basszustemat vazol fel, megfigyelheto a szintetikus egymasbol kovetkezese a ritmusoknak, amolyan robotmozgos dal. Na es ezutan a Spa experimentalja hallhato, osszevissza dobbal, szinuszhullammal elektroorgonaval, teli elettel, boldogsaggal. Epphogy kezdunk felocsudni abbol adodo banatbol hogy elvesztettuk az acidet, az analogszintiket, maris jon az utolso track ami 4/4-bol breakbe csapong, es ujra alankpakolja azokat az alapokat, amiert az elejen megszerettuk az albumot. Szep munka, otthoni hallgatasra, partira oromzenekent ajanlott album.
——————————————————- [SRCD017] - Nadin Katrin - Belt
We bring you another CD from BY for the corius ears, but now from an other musician, Nadin Katrin. This 7 tracks is the first at our netlabel but not the last. Dancable, pleasent electro-acid, distorted-polished, 4/4-Break rhythms perfect joint to each other the album. The first track (Fray) is a little electro, blasting in to the mid, in medias res beginning. For a debut track it’s perfect, dancefloor-friendly, electro track. The tune is so catchy and simple, the acid-electro sounding of the bass is awakening the hope inside of me, that the acid isn’t died (I Love Acid). The next track (Stability) trancy beginning instantly put aside us a bigbeat tempo with scratch, what is goind unnoticeable into a perfect break with the following of the acid bassline, whilst the synth is elevating us, then brings down a little, then again up, then release us, into a freefall orbit. The Poles neither break away with the acid (i loooooooove it). It’s a tribal with a lot of high end freq drumline is inviting us into a special dipped into acid tript, to let the background flowing pads cuddle us, and not let the real life flow in. The fourth music (Jelly) a real electronic rocknroll, with a pellmell cutted drum, lazy guitars, a real nodder theme. The fifth (Jog) trace us a real electro basstheme, the rhytmhms perceptibly, adn syntheticly coming from each other. It’s a robot-moving song. From now wer can hear the experimental track Spa, with pellmell drums, with sinus waves, and with electroorgans, full of life and happiness. When we are even waking up from the sorrow that we losed the acid, the analog synths, right away coming the last track what is wantoning from 4/4 to breaks, and newly gaves us those bottoms, why we love the CD at the first tracks. Nice work for listening at home, or to a party for joymusic.
Buben megint megorvendeztet titeket egy uj CD-vel, a szokasos tribalos, houseos hangzasat kovetve. Az album cime meger egy pillantast, mert belorusz kollegank “Ko. Mo, Yan”-nak nevezte azt el. Az elso szam (Platform), nepzenei samplekbol osszevagott tribalos 4/4-el, breakekkel zsufolt vicces kis muzsika. A masodik mar komolyabb samplekkal operal, akkusztikus gitaros, gyonyoru szivbol jovo dallamok, melyek barsonyosan simulnak a tribalos 4/4-re. A harmadik, egy igazi nagybogos, szaxofonos felallas, hihetetlenul szeretheto repetitiv utemekkel, flangerrel, sok nyari orommel boldogsaggal. A negyedik track kicsit viszavesz, habar marad ugyanazon a tempon, megcsavart, szetgyurt, gyorsitott-lassitott, oda-vissza hangokkal, majd boldog akkusztikusgitarral. Igazi oromzene. Az otodikrol pedig roviden annyit mondanek, hogy lakodalmas-tribal-techno… a javabol!!!
Buben will bring you happiness with his newest CD, following the usual tribal, house sounding. The first track (Platform), where Buben was taken samples from folk musics and he has heapen it up with 4/4-s, and breaks. The second is operate with more thoughtful samples, accoustic guitars, beautyful tunes, whats coming from his heart, and these are slick to the tribal beats. The third is a real doublebass, sax standup, unbelievable lovely repetitive beats, flanger, with a lot of summer inside. The fourth is taking back a little, but stays at the same tempo, with twisted, pugged, accelerated-deccelerated, back and forth voices, then with happy accoustic guitar. Real Pleasure-Music. The fifth (in a nutshell) is a real nuptial-tribal-techno… for real!!!
mBs uj albuma rogton egy melankolikus, trances introval kezdodik, (I Hate My Eyes) okosan megcsavart, valtozatos dobtemakat szorva a fulekbe. Majd ezt a hangulatot tovabb folytatva indul be az “I Just” morgo basszusaval, minimalista szintitemajaval kozeledve a tancparkettorientalt darabok fele. El is erkeztunk egy regebbrol ismeros darabhoz, (Starnet In Your Hair) amit most ujaertelmezve hallhatunk. A hatterben enekkel, az eloterben electro szintitemakkal, szallos dallamokkal felvertezve. Az ezt koveto “We Can Fly” egy igazi tancparkettrobanto szerzemeny. A basszus harap, azonnal mozgasra kesztet. A jol eltalalt effektekkel megtuzdelt track nem hagy pihenot, tanc kifulladasig. Ezutan rogton az “I’ts A Dream” electro alomvilagaba csoppenunk, ahol a pulzalo basszusoktol vezerelve robotokka valhatunk, majd az “I’m A Robot” tort felvezetesere ujra felebredhetunk, hogy acides csipogasokra es electros dallamokra enekelhessunk boldogan egyutt mBs-sel. (”…i’m a robot / in this galaxy / i’m a robot / makin’ you happy…”) Majd sotetben vagy csukott szemmel a kulvilagot kizarva, lebegve tancoljuk vegig a “Dancing With Lights Off” groovejait. Nehol elmerengve az analog szintik csodalatos harmoniaiban. Vegul zaraskent megpihenve, az Anikoval kozos “Film Noir” triphopos levezetesere kerulhetunk ujabb dimenziokba. A szallos zongorabetetek es lazan szelt utemek hatasara a sajat filmunkre fokuszalva, akar csukott szemmel is nyomhatunk az ismetles gombra! /blade
The new album of mBs begins straight away with a melancolic, trancy intro, (I Hate My Eyes) with smartly cutted, variated drum lines. Then going on with this emotion, starting up the “I Just” with a grumbling bass, minimalist synththeme, approaching to the dancefloor-oriantated section of the album. We’ve just arrived to a from the past are familiar track, (Starnet In Your Hair) what we can hear remastered now. At the background with vocals, and the foreground with electro synththemes and floaty tunes. The next track “We Can Fly”, is a real dancefloorblaster composition. The bass bites, makes you feel dancing right away. The well effected track don’t allows you to rest, you must dance when you can’t get breathe. Next we arrive to the dreamworld of “I’ts A Dream” , where we can became robots by the pulsating basses, then the broken prelude of “I’m A Robot” will wakes us up, to sing along with mBs to acid tweeps and electro tunes. (”…i’m a robot / in this galaxy / i’m a robot / makin’ you happy…”) Then in darkness or closed eyes, excluding the outside world, dance ’till the end of “Dancing With Lights Off” grooves, to get amused by the harmony of beautyful analog synths. Then for closing to get relaxed, we can hear the “Film Noir” what have made by in common with Aniko. We can go to another dimensons by it’s triphoppy deduction. We can - effected by the pianolines and the lazy beats - get focused on our movie, and we can touch the replay button… /blade
Ismet Belorussziabol hoztunk a kivancsi fuleknek egy CD-t, de immaron masik eloadotol, meghozza Nadin Katrintol. Hetszamos megjelenese, az elso nalunk, es nem az utolso. Tancolhato, kellemes elektros-eszides, torzitos-letisztulos, 4/4-es breakes ritmusok tokeletes egymashoz illesztese az album. Az elso szam (Fray) egy kis elektros, lecsoba belecsapos, in medias res kezdes. Bemutatkozo dalnak tokeletes, tancparkettbarat, elektros megmozdulaskent elkonyvelheto, track. A dallam fulbemaszoan egyszeru, a basszusok eszides elektrossaga meg mindig nagy remenyeket ebreszt bennem, hogy az acid nem halt meg (I Love Acid). A kovetkezo track (Stability) trances kezdese, egybol egy szkreccsel inditott bigbeat tempot rak alank, ami eszrevehetetlenul megy at a meg mindig acides basszus kisereteben egy tokeletes breakbe, mikozben a szinti felemel, kicsit lejjebb hoz, aztan megint fel, majd vegul elereszt, szabadesesi palyara allitva minket. A Poles sem szakit az aciddel (immmmmadom), tribalos sok sok magassal megaldott drumline-ja egy kulonleges savba martott utazasra invital minket, hogy a hatterben uszo padok korbeoleljenek es ne hagyjak a valo vilagot bearamlani. A negyedik zene (Jelly) igazi elektronikus rocknroll, osszevissza vagdalt bigbeates dobbal, laza gitarral, egy igazi bologatos tema. Az otodik (Jog) egy igazan utos elektro basszustemat vazol fel, megfigyelheto a szintetikus egymasbol kovetkezese a ritmusoknak, amolyan robotmozgos dal. Na es ezutan a Spa experimentalja hallhato, osszevissza dobbal, szinuszhullammal elektroorgonaval, teli elettel, boldogsaggal. Epphogy kezdunk felocsudni abbol adodo banatbol hogy elvesztettuk az acidet, az analogszintiket, maris jon az utolso track ami 4/4-bol breakbe csapong, es ujra alankpakolja azokat az alapokat, amiert az elejen megszerettuk az albumot. Szep munka, otthoni hallgatasra, partira oromzenekent ajanlott album.
We bring you another CD from BY for the corius ears, but now from an other musician, Nadin Katrin. This 7 tracks is the first at our netlabel but not the last. Dancable, pleasent electro-acid, distorted-polished, 4/4-Break rhythms perfect joint to each other the album. The first track (Fray) is a little electro, blasting in to the mid, in medias res beginning. For a debut track it’s perfect, dancefloor-friendly, electro track. The tune is so catchy and simple, the acid-electro sounding of the bass is awakening the hope inside of me, that the acid isn’t died (I Love Acid). The next track (Stability) trancy beginning instantly put aside us a bigbeat tempo with scratch, what is goind unnoticeable into a perfect break with the following of the acid bassline, whilst the synth is elevating us, then brings down a little, then again up, then release us, into a freefall orbit. The Poles neither break away with the acid (i loooooooove it). It’s a tribal with a lot of high end freq drumline is inviting us into a special dipped into acid tript, to let the background flowing pads cuddle us, and not let the real life flow in. The fourth music (Jelly) a real electronic rocknroll, with a pellmell cutted drum, lazy guitars, a real nodder theme. The fifth (Jog) trace us a real electro basstheme, the rhytmhms perceptibly, adn syntheticly coming from each other. It’s a robot-moving song. From now wer can hear the experimental track Spa, with pellmell drums, with sinus waves, and with electroorgans, full of life and happiness. When we are even waking up from the sorrow that we losed the acid, the analog synths, right away coming the last track what is wantoning from 4/4 to breaks, and newly gaves us those bottoms, why we love the CD at the first tracks. Nice work for listening at home, or to a party for joymusic.
